认真读完一本著作后，大家心中一定有不少感悟，需要回过头来写一写读后感了。怎样写读后感才能避免写成“流水账”呢?小编在这里给大家带来2022年读名著的读后感英文版范文，希望大家喜欢！
AfterreadingAtaleoftwocities.
AtaleoftwocitiesisoneofDickenssmostimportantrepresentativeworks.ThenovelprofoundlyexposedthesocietycontradictionbeforetheFrenchRevolution,intenselyattacksthearistocraticsocialclassisdissoluteandcruel,andsincerelysympathizeswiththedepressedclasses.ThenovelalsodescribedmanymagnificentscenesliketherevoltpeopleattackedBastilleandsoon,whichdisplayedpeoplesgreatstrength.
Thenovelhasportrayedmanydifferentpeople.DoctorManetteishonestandkindbutsuffersthepersecutionactually，Lucieisbeautifulandgentle，Charlesisgracefulandnoble，Lorryisuprightandhonest，Sydneyissemblanceofindifferent,innermostfeelingsofwarm,unconventionalbutalsoselflessandlofty，MissProssisstraightforwardandloyal，Evremondebrothersarecruelandsinister……Thecomplexhatredishardtosolve,thecruelrevengehasmademorehatreds,lovesrebirthinthehelledge,buttakethelifeastheprice.
Asanoutstandingwriter,inDickensswork,thelanguageskillisessential.Eachkindofrhetorictechnique,liketheanalogy,theexaggeration,thecontrast,thehumorous,andthetauntarehandledskillfully,andtheartistryoftheworkisalsodeliveredthepeak.Ataleoftwocitieshasitsdifferencewiththegeneralhistoricalnovel,itscharacterandthemainplotareallfictionalizes.WiththebroadrealbackgroundoftheFrenchRevolution,theauthortakethefictionalcharacterDoctorManettesexperienceasthemainclue,interweavestheunjustcharge,loveandrevengethreeindependencesbutalsoincidentcross-correlationstoriestogether,theplotiscriss-crossed,andtheclueiscomplex.Theauthorusenarrates,foreshadowing,upholsteryandsomanytechniques,causesthestructureintegrityandstrictness,theplotwindinganxiousandrichoftheatricalnature,itdisplayedtheremarkableartisticskill.thestyleAtaleoftwocitiesissolemnityandmelancholy,fillsindignantion,butlacksthehumoroftheearlyworks.
ManypeoplesimplyregardPrideandPrejudiceasalovestory,butinmyopinion,thisbookisanillustrationofthesocietyatthattime.Sheperfectlyreflectedtherelationbetweenmoneyandmarriageathertimeandgavethepeopleinherworksvividcharacters.
Thecharactershavetheirownpersonalities.Mrs.Bennetisawomanwhomakesgreateffortstomarryoffherdaughters.Mr.Bingleyisafriendlyyoungman,buthisfriend,Mr.Darcy,isaveryproudmanwhoseemstoalwaysfeelsuperior.EventhefivedaughtersinBennetfamilyareverydifferent.Janeissimple,innocentandneverspeaksevilofothers.Elizabethisaclevergirlwhoalwayshasherownopinion.Marylikesreadingclassicbooks.(Actuallysheisapedant.)Kittydoesn’thaveherownopinionbutlikestofollowhersister,Lydia.Lydiaisagirlwhofollowsexoticthings,handsomeman,andis
somehowalittleprofligate.WhenIreadthebook,Icanalwaysfindthesamepersonalitiesinthesocietynow.ThatiswhyIthinkthisbookisindeedtherepresentativeofthesocietyinBritaininthe18thcentury.
ThefamilyofgentlemaninthecountrysideisJaneAusten’sfavouritetopic.Butthislittletopiccanreflectbigproblems.ItconcludesthestratumsituationandeconomicrelationshipsinBritaininhercentury.Youcanfindthesefromtheverybeginningofthisbook.
Thefirstsentenceinthisbookisimpressive.Itreads:“Itisatruthwellknowntoalltheworldthatanunmarriedmaninpossessionofalargefortunemustbeinneedofawife”.Theundertoneisveryclear:thefoundationofthemarriageatthattimeisnotemotionbutpossession.
PeoplealwaysthinkthatAustenwasanexpertattellinglovestories.Infact,themarriageinherbookisnottheresultoflove,buttheresultofeconomicneeds.Afterreadingthisbook,Iknowthetruthisthatapoorwomanmustbeinneedofahusband,awealthyman.
Icouldn’tforgethoweagerMrs.Bennetwantstomarryoffherdaughters.Ifyouwanttoknowwhysheissocrazyaboutthesethings,ImustmentionthesituationinBritainatthattime.Onlytheeldestsonhadtheprivilegeofinheritinghisfather’spossessions.Youngersonsanddaughterswhoareusedtoluxuriousliveshavenochoicebutmarryamanorwomaninpossessionofalargefortunetocontinuetheircomfortablelives.Thus,wecanseethatgettingmarriedisawaytobecomewealthier,particularlyforwomenwithoutmanypossessions.JaneAustentoldusthatmoneyandpossessiondeterminedeverything,includingmarriageandloveinhercentury.
In“PrideandPrejudice”,thesisterofMr.Bingleyh2lyopposedhisplanofmarryingJanebecausetheBennetsdon’thavemanypossessionsandtheirsocialpositionsaremuchlowerthanthem.Fromthis,wecanseetherearealotofobstaclesforanotveryrichwomantomarryawealthyhusband.Thesociety,therelativeswouldnotallowthemtogetmarried.
Inmodernsociety,althoughthemarriagesofeconomicneedshavedecreasedrapidly,theconceptof“moneydetermineseverything”isstillrootedinsomepeople’smind.Alotofparentstryhardtointerferetheirchildren’smarriages.Educationbackground,possessions,jobsremainsthemainreasonthatmayinfluenceone’smarriage.Marryformoneyisstillabigprobleminoursociety.Wecan’thelpthinking:canmoneydetermineeverything?
Austenleftthisproblemforustothink.ThegeniusofJaneAustenliesinthisperfectsimplicity,thesimplicitythatreflectsbigproblems.AlthoughAustenwasonly21whenshewrote“PrideandPrejudice”,hersharpobservationofsociallivesmakesthestyleofthisbooksurprisinglymatureandlively.Theplotsinherworksarealwaysverynatural.Thedevelopmentoftheplotisasinevitableasaprobleminmathematics.IthinkthedepthofPrideandPrejudiceisthereasonthatmakesthisbookprominentandclassic.Today,herbookstillcanbetheguidetellingustheeconomicrelationshipsbothathertimeandinmoderntime.
Ibelievethatoneofthefactorsthatmakesapieceofliteratureorevenamovieamasterpieceishowwellthereadercanrelatetothestory.Thisisdefinitelyabookeveryonecanrelateto.
TheAdventuresofTomSawyerisaliterarymasterpieces，writtenin1876bythefamousauthorMarkTwain.TomSawyerisamischievousyoungboywholivesinthesmalltownontheMississippiRivercalledSt.Petersburg.Thestorylineissimple，thebookreadslikeabiographyoramemoirofasummerinTomSawyerslife.
Itisastoryfilledwithaction，adventure，,ingeniousideas，love，andschoolyardpolitics.Thewholestoryisseeminglyacomplicationofwhatpeopledidorwishtheydidduringtheirchildhood.
Thebookisalittledifficulttoreadatfirst.Personally，ittakesmealittlewhiletogetusedtothe19thcenturydialectinthebook.OtherthanreferringtopersonsofAfricandecentinderogatoryterms(whichImsureusestermsevenyoungchildrenalreadyknow)，thebookwouldbeanenjoyablereadforpeopleofallages.Ihighlyrecommendthisbookforanyonelookingtofeelyoungagain，ifjustforafewhundredpages.
Iwanttotakethechildrentoreadtheclassics,thelasttimeIreadtheoldstoryofthecity,thestudentsreadtheinterestdeeply,thefeelingisverydeep,thistimetookthemtoreadluxunstheChineseNewYeargatheringandShouting.
Itisdividedintotwoparts:thecollectionofChineseNewYearisacollectionofessayswrittenbyluxuntoreflectthelifeofchildhoodandadolescence.Itisafirst-handaccountofluxunslifehistory,andwemayseethecompleteimageofluxunintheearlyyears.Thebattlecryisthecollectionofluxunsshortstoriesfrom1918to1922.Hewasfullofambitioninhisyouth,andhopedthatChinawouldgetridoftheoldsystemandstaletraditionalideas.Butthefrustrationhesufferedgraduallymadehimfeeldesperateandlonely.
ThetruestoryofahQshowsusthetruefaceofadeformedChinaandagroupofdeformedChinesebeforeandafterthe1911revolution.Itistheepitomiesofthepeopleunderthefeudalrule.TheauthorascribesthesmugnessofahQtoChinesespiritualcivilizationcrownstheworld,thusbreedingagroupofignorant,ignorantandself-importantcitizens.Atthattime,thepeoplewereenslavedbyimperialismandfeudalism.Oncebeaten,hewashealedbyspiritualvictory.Deservestobethinker,politician,writerluxun,hispenastheblade,spendalifetimethinkingaboutnationalissues,theanatomyoftheChinesesoul,spiritofpeopleofthenegativeaspectstothoroughlyexposeandcriticize.
Lookingangrilycondemnedmeans,headbowedasawillingox,coldundertheappearanceofluxun,issendingoutthelightofhumannature,suchaslongwiththemaidinshanhaijingoolong,letapersonfeelthickwarmth.Inthispaper,wefirstafterYangsuppression,ofirstconfessedlongtoofat,poorsleep,andseekmyhiddenratcauseIdislikeforher.Butilliteratehertobuymetheshanhaijingbutstruggled.Whichmakesmefullofrespectforher.ThelongfeudalsocietyofChinaisanordinarywoman.Good,poor,foolish,butgiventhedeeploveofluxun.Thispaperwithdeepfeelingofthelanguage,toexpressthesincereoftheworkingwomenmissandthememoryofthetimethatyoungandfoolish.
Screamconfessedtheauthorfromamedicalarticleandauthorbecauseofthejourney,throughthetexttoawakenpeoplenumb,savethesleepingcountry,betweenthelinesembodiestheauthorsloneliness,hesitation,awakening,rise.
Loveisaminorchildtheparentsofthemosttaboothing,loveistheyoungmenandwomenmostwanttohavethings,loveisaveryoldlookingtoaccompanygratefulwhenthings.Itplaysmanyroles,itcanbetragiccomedydirectorcanalsobeplanners;itcanbeapoisoncanalsobeahoney,noonecantouchthepenetrationit.Oncethejumpintothetrapoflove,likearrowsnolongerbeyondrecoverytoLiXian,butstubbornlytowardtheirowngoalsandflewignoredistance,straightthroughtheair,finallylanding.Afterlandingtherearetwopossibilities:oneisintactreachthetarget,andtheotherisbecauseforsomereason,brokenwings......
Awonderfulendofthestory,usuallyincomedyended,readersreadtheyarehappyandcanbeseeninafewdayslateritwillbeforgotten.Ifastoryendsintragedy,thenitmustbesomethingleftinthereadersmind,orregret,orpity,sothatthereaderrepeatedlychewandthought.Peoplearethepursuitofperfection.Atthesametime,peoplealsopraisethebeautyofdefects,itseemsacontradiction,butnotdoesnotseemcontradictory.
RomeoandJuliet,isatragedy,asIwroteabove,itleftinmymindwhatIsaidsure,andperhapsregretthatbar......
Lovemorethanbig,butsmallerthanlife!